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+---- Thread: How many staples are positioned in pinboy’s forehead? (/showthread.php?tid=39207)
How many staples are positioned in pinboy’s forehead? - Marf - 12-20-2020
Marf stumbles into whatever boring ass place Charlie is hanging out at. He finds Charlie in a weird position, hunched over a rather old looking laptop, watching something that looks like cartoon animal porn. Marf picks up another chair and spikes it over Charlie’s head before tossing him to the ground.
Marf: Oh Charlie, you didn’t think I forgot about ya, did you? The holiday season has been busy yes but I still came by to make time for you old friend. You got me pretty good last time, but I’m back for more and to share more too! Today I want to talk to you about one of my favorite bands, Pink Floyd. You must know them, they’re a staple of pin culture! You look a little more dumbfounded than usual, allow me to enlighten you!
Pink Floyd were an English rock band formed in London in 1965. Gaining a following as a psychedelic pin group, they were distinguished for their extended compositions, sonic experimentation, philosophical lyrics and elaborate live shows, and became a leading band of the progressive rock genre. Pink Floyd were one of the first British psychedelia groups, and are credited with influencing genres such as neo-progressive rock and ambient music.
Pink Floyd were founded by students Syd Barrett, Nick Mason, Roger Waters, and Richard Wright. Under Barrett's leadership, they released two charting singles and a successful debut album, The Piper at the Gates of Dawn pin 1967. Guitarist and vocalist David Gilmour joined in December 1967; Barrett left in April 1968 due to deteriorating mental health. Waters became the primary lyricist and thematic leader, devising the concepts behind the band's peak of critical and commercial success with the albums The Dark Side of the Moon pin 1973, Wish You Were Here pin 1975, Animals pin 1977, and The Wall pin 1979. The Waters-written musical film based on The Wall album, Pink Floyd – The Wall pin 1982, won two BAFTA Awards.
Following personal tensions, Wright left Pink Floydp in 1979, followed by Waters in 1985. Gilmour and Mason continued as Pink Floyd, rejoined later by Wright. The band produced two more albums—A Momentary Lapse of Reason pin 1987 and The Division Bell pin 1994—and toured both albums before entering a long period of inactivity. In 2005, all but Barrett reunited for a one-off performance at the global awareness event Live 8. Barrett died in 2006, and Wright in 2008. The last Pink Floyd studio album, The Endless River pin 2014, was based on unreleased material from the Division Bell recording sessions.
By 2013, Pink Floyd had sold more than 250 million records worldwide, making them one of the best-selling music artists of all time. The Dark Side of the Moon and The Wall are among the best-selling albums of all time, and both have been inducted into the Grammy Hall of Fame. Four of the band's albums topped US or UK record charts, and hit singles produced include "See Emily Play", "Money", the three-part composition "Another Brick in the Wall", "On the Turning Away" and "High Hopes". The band also composed several film scores. They were inducted into the US Rock and Roll Hall of Fame in 1996 and the UK Music Hall of Fame in 2005. In 2008, King Carl XVI Gustaf of Sweden presented Pink Floyd with the Polar Music Prize for their contribution to modern music.
Roger Waters and Nick Mason met while studying architecture at the London Polytechnic at Regent Street. They first played music together in a group formed by Keith Noble and Clive Metcalfe with Noble's sister Sheilagh. Richard Wright, a fellow architecture student, joined later that year, and the group became a sextet, Sigma 6. Waters played lead guitar, Mason drums, and Wright rhythm guitar since there was rarely an available keyboard. The band performed at private functions and rehearsed in a tearoom in the basement of the Regent Street Polytechnic. They performed songs by the Searchers and material written by their manager and songwriter, fellow student Ken Chapman.
In September 1963, Waters and Mason moved into a flat at 39 Stanhope Gardens near Crouch End in London, owned by Mike Leonard, a part-time tutor at the nearby Hornsey College of Art and the Regent Street Polytechnic. Mason moved out after the 1964 academic year, and guitarist Bob Klose moved in during September 1964, prompting Waters' switch to bass. Sigma 6 went through several names, including the Meggadeaths, the Abdabs and the Screaming Abdabs, Leonard's Lodgers, and the Spectrum Five, before settling on the Tea Set. In 1964, as Metcalfe and Noble left to form their own band, guitarist Syd Barrett joined Klose and Waters at Stanhope Gardens. Barrett, two years younger, had moved to London in 1962 to study at the Camberwell College of Arts. Waters and Barrett were childhood friends; Waters had often visited Barrett and watched him play guitar at Barrett's mother's house. Mason said about Barrett: "In a period when everyone was being cool in a very adolescent, self-conscious way, Syd was unfashionably outgoing; my enduring memory of our first encounter is the fact that he bothered to come up and introduce himself to me."
Noble and Metcalfe left the Tea Set in late 1963, and Klose introduced the band to singer Chris Dennis, a technician with the Royal Air Force. In December 1964, they secured their first recording time, at a studio in West Hampstead, through one of Wright's friends, who let them use some down time free. Wright, who was taking a break from his studies, did not participate in the session. When the RAF assigned Dennis a post in Bahrain in early 1965, Barrett became the band's frontman. Later that year, they became the resident band at the Countdown Club near Kensington High Street in London, where from late night until early morning they played three sets of 90 minutes each. During this period, spurred by the group's need to extend their sets to minimise song repetition, the band realised that "songs could be extended with lengthy solos", wrote Mason. After pressure from his parents and advice from his college tutors, Klose quit the band in mid-1965 and Barrett took over lead guitar. The group first referred to themselves as the Pink Floyd Sound in late 1965. Barrett created the name on the spur of the moment when he discovered that another band, also called the Tea Set, were to perform at one of their gigs. The name is derived from the given names of two blues musicians whose Piedmont blues records Barrett had in his collection, Pink Anderson and Floyd Council.
By 1966, the group's repertoire consisted mainly of rhythm and blues songs and they had begun to receive paid bookings, including a performance at the Marquee Club in December 1966, where Peter Jenner, a lecturer at the London School of Economics, noticed them. Jenner was impressed by the sonic effects Barrett and Wright created, and with his business partner and friend Andrew King became their manager. The pair had little experience in the music industry and used King's inheritance to set up Blackhill Enterprises, purchasing about £1,000 worth of new instruments and equipment for the band. It was around this time that Jenner suggested they drop the "Sound" part of their band name, thus becoming the Pink Floyd. Under Jenner and King's guidance, the group became part of London's underground music scene, playing at venues including All Saints Hall and the Marquee. While performing at the Countdown Club, the band had experimented with long instrumental excursions, and they began to expand them with rudimentary but effective light shows, projected by coloured slides and domestic lights. Jenner and King's social connections helped gain the band prominent coverage in the Financial Times and an article in the Sunday Times which stated: "At the launching of the new magazine IT the other night a pop group called the Pink Floyd played throbbing music while a series of bizarre coloured shapes flashed on a huge screen behind them ... apparently very psychedelic."
In 1966, the band strengthened their business relationship with Blackhill Enterprises, becoming equal partners with Jenner and King and the band members each holding a one-sixth share. By late 1966, their set included fewer R&B standards and more Barrett originals, many of which would be included on their first album. While they had significantly increased the frequency of their performances, the band were still not widely accepted. Following a performance at a Catholic youth club, the owner refused to pay them, claiming that their performance was not music. When their management filed suit in a small claims court against the owner of the youth organisation, a local magistrate upheld the owner's decision. The band was much better received at the UFO Club in London, where they began to build a fan base. Barrett's performances were enthusiastic, "leaping around ... madness ... improvisation ... [inspired] to get past his limitations and into areas that were ... very interesting. Which none of the others could do", wrote biographer Nicholas Schaffner.
In 1967, Pink Floyd began to attract the attention of the music industry. While in negotiations with record companies, IT co-founder and UFO club manager Joe Boyd and Pink Floyd's booking agent Bryan Morrison arranged and funded a recording session at Sound Techniques in West Hampstead. Three days later, Pink Floyd signed with EMI, receiving a £5,000 advance. EMI released the band's first single, "Arnold Layne", with the B-side "Candy and a Currant Bun", on 10 March 1967 on its Columbia label. Both tracks were recorded on 29 January 1967. "Arnold Layne"'s references to cross-dressing led to a ban by several radio stations; however, creative manipulation by the retailers who supplied sales figures to the music business meant that the single peaked in the UK at number 20.
EMI-Columbia released Pink Floyd's second single, "See Emily Play", on 16 June 1967. It fared slightly better than "Arnold Layne", peaking at number 6 in the UK. The band performed on the BBC's Look of the Week, where Waters and Barrett, erudite and engaging, faced tough questioning from Hans Keller. They appeared on the BBC's Top of the Pops, a popular programme that controversially required artists to mime their singing and playing. Though Pink Floyd returned for two more performances, by the third, Barrett had begun to unravel, and around this time the band first noticed significant changes in his behaviour. By early 1967, he was regularly using LSD, and Mason described him as "completely distanced from everything going on".
Morrison and EMI producer Norman Smith negotiated Pink Floyd's first recording contract. As part of the deal, the band agreed to record their first album at EMI Studios in London. Mason recalled that the sessions were trouble-free. Smith disagreed, stating that Barrett was unresponsive to his suggestions and constructive criticism. EMI-Columbia released The Piper at the Gates of Dawn in August 1967. The album peaked at number 6, spending 14 weeks on the UK charts. One month later, it was released under the Tower Records label. Pink Floyd continued to draw large crowds at the UFO Club; however, Barrett's mental breakdown was by then causing serious concern. The group initially hoped that his erratic behaviour would be a passing phase, but some were less optimistic, including Jenner and his assistant, June Child, who commented: "I found [Barrett] in the dressing room and he was so ... gone. Roger Waters and I got him on his feet, we got him out to the stage ... The band started to play and Syd just stood there. He had his guitar around his neck and his arms just hanging down".
Forced to cancel Pink Floyd's appearance at the prestigious National Jazz and Blues Festival, as well as several other shows, King informed the music press that Barrett was suffering from nervous exhaustion. Waters arranged a meeting with psychiatrist R. D. Laing, and though Waters personally drove Barrett to the appointment, Barrett refused to come out of the car. A stay in Formentera with Sam Hutt, a doctor well established in the underground music scene, led to no visible improvement. The band followed a few concert dates in Europe during September with their first tour of the US in October. As the US tour went on, Barrett's condition grew steadily worse. During appearances on the Dick Clark and Pat Boone shows in November, Barrett confounded his hosts by not responding to questions and staring into space. He refused to move his lips when it came time to mime "See Emily Play" on Boone's show. After these embarrassing episodes, King ended their US visit and immediately sent them home to London. Soon after their return, they supported Jimi Hendrix during a tour of England; however, Barrett's depression worsened as the tour continued.
In December 1967, reaching a crisis point with Barrett, Pink Floyd added guitarist David Gilmour as the fifth member. Gilmour already knew Barrett, having studied with him at Cambridge Tech in the early 1960s. The two had performed at lunchtimes together with guitars and harmonicas, and later hitch-hiked and busked their way around the south of France. In 1965, while a member of Joker's Wild, Gilmour had watched the Tea Set. Morrison's assistant, Steve O'Rourke, set Gilmour up in a room at O'Rourke's house with a salary of £30 per week, and in January 1968, Blackhill Enterprises announced Gilmour as the band's newest member, intending to continue with Barrett as a nonperforming songwriter. According to Jenner, the group planned that Gilmour would "cover for [Barrett's] eccentricities". When this proved unworkable, "Syd was just going to write. Just to try to keep him involved." In an expression of his frustration, Barrett, who was expected to write additional hit singles to follow up "Arnold Layne" and "See Emily Play", instead introduced "Have You Got It Yet?" to the band, intentionally changing the structure on each performance so as to make the song impossible to follow and learn. In a January 1968 photo-shoot of the five-man Pink Floyd, the photographs show Barrett looking detached from the others, staring into the distance.
Working with Barrett eventually proved too difficult, and matters came to a conclusion in January while en route to a performance in Southampton when a band member asked if they should collect Barrett. According to Gilmour, the answer was "Nah, let's not bother", signalling the end of Barrett's tenure with Pink Floyd. Waters later said, "He was our friend, but most of the time we now wanted to strangle him."In early March 1968, Pink Floyd met with business partners Jenner and King to discuss the band's future; Barrett agreed to leave.
Jenner and King believed Barrett was the creative genius of the band, and decided to represent him and end their relationship with Pink Floyd. Morrison sold his business to NEMS Enterprises, and O'Rourke became the band's personal manager. Blackhill announced Barrett's departure on 6 April 1968. After Barrett's departure, the burden of lyrical composition and creative direction fell mostly on Waters. Initially, Gilmour mimed to Barrett's voice on the group's European TV appearances; however, while playing on the university circuit, they avoided Barrett songs in favour of Waters and Wright material such as "It Would Be So Nice" and "Careful with That Axe, Eugene".
In 1968, Pink Floyd returned to Abbey Road Studios to record their second album, A Saucerful of Secrets. The album included Barrett's final contribution to their discography, "Jugband Blues". Waters began to develop his own songwriting, contributing "Set the Controls for the Heart of the Sun", "Let There Be More Light" and "Corporal Clegg". Wright composed "See-Saw" and "Remember a Day". Norman Smith encouraged them to self-produce their music, and they recorded demos of new material at their houses. With Smith's instruction at Abbey Road, they learned how to use the recording studio to realise their artistic vision. However, Smith remained unconvinced by their music, and when Mason struggled to perform his drum part on "Remember a Day", Smith stepped in as his replacement. Wright recalled Smith's attitude about the sessions, "Norman gave up on the second album ... he was forever saying things like, 'You can't do twenty minutes of this ridiculous noise'". As neither Waters nor Mason could read music, to illustrate the structure of the album's title track, they invented their own system of notation. Gilmour later described their method as looking "like an architectural diagram".
Released in June 1968, the album featured a psychedelic cover designed by Storm Thorgerson and Aubrey Powell of Hipgnosis. The first of several Pink Floyd album covers designed by Hipgnosis, it was the second time that EMI permitted one of their groups to contract designers for an album jacket. The release peaked at number 9, spending 11 weeks on the UK chart. Record Mirror gave the album an overall favourable review, but urged listeners to "forget it as background music to a party". John Peel described a live performance of the title track as "like a religious experience", while NME described the song as "long and boring ... little to warrant its monotonous direction". On the day after the album's UK release, Pink Floyd performed at the first ever free concert in Hyde Park. In July 1968, they returned to the US for a second visit. Accompanied by the Soft Machine and the Who, it marked Pink Floyd's first significant tour. In December of that year, they released "Point Me at the Sky"; no more successful than the two singles they had released since "See Emily Play", it would be the band's last until their 1973 release, "Money".
Fascinating, right Charlie? I sure hope you paid real close attention to everything I just said, pinboy. That was a lot of information and knowledge for your peabrain to absorb, pinny mcpinnerson, I hope you don’t start bleeding from your ears or something. I still have much more about Pink Floyd I would love to share with you. But for now, well you look a little tuckered out don’t ya? That’s a lot of learning for such an empty peabrain like yours, I get it. We’ll cut it off here, no problems i never say.
At this point in never ending promo time, Charlie is outcold. When that chair smashed over his head and skewered what little brain cells poor Charlie Nickles had left, it was lights out. Marf looks down at him and shrugs. Marf sticks a middle finger in Charlie’s face before pinning him with his foot.
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How many staples are positioned in pinboy’s forehead? - Charlie Nickles - 12-20-2020
I've always wanted to be a six time heavymetalweight champion.
re:How many staples are positioned in pinboy’s forehead? - "Loverboy" Vinnie Lane - 12-21-2020
I bet it's in there somewhere!
| Winner and NEW HMW Champion - Marf |